Barsānā – HG Śrī Prahlāda Prabhu – Lecture; Indradyumna Swami’s Parikrama -2015

Kṛṣṇa-Kuṇḍa,Barsana, 2015 Kartik Parikrama with Indradyumna Swami

Rādhā: Tattva, Rasa, and Kṛpā  

– By HG Śrī Prahlāda Prabhu

We are so fortunate to be gathered here at KṛṣṇaKuṇḍa in Varṣāṇā. By what good fortune, what pious activities have we done to find ourselves in this situation? What austerities have we performed? Maybe we gave lots of charity. Actually none of these activities can award us the great opportunity, the great benediction that we are experiencing at this moment. It’s only by the mercy of the Vaiṣṇavas. Bhakti is the most valuable treasure and no amount of piety, no amount of austerity, no amount of charity can award one this treasure. There is nothing we can do to make ourselves eligible. How then is it ever received? – Only by the mercy of compassionate, kind-hearted devotees!

Kṛṣṇa’s mercy extends down into this world of Saṁsara and by the mercy of Vaiṣṇavas, our free will is interfered with, such that we do not receive the juice of our karma, instead we receive something much more. We receive the seed of Bhakti and so that is all our great fortune. These great devotees who share this mercy, these seeds of devotion, they represent Śrīmatī Rādhārāṇī. She is called Karuṇāmayī, that is She is most kind and compassionate. It is by the grace of Karuṇāmayī Śrī Rādhā that we find ourselves in Her abode.

This morning, we will share some realizations about Śrīmatī Rādhārāṇī. We will begin by speaking some Tattva. Tattva— means truth, this can be a little dry but it is important. It is important that we have a foundation of Tattva and on the basis of that then we will discuss some RasaFinally, we will also discuss Kṛpā—we will discuss mercy.

We will discuss:

  1. Rādhā Tattva—truth of Rādhā’s ontology;
  2. Rādhā-Rasa that is some understanding of Her mellows of loving exchange;
  3. Rādhā Kṛpā—some discussion on how we might try to gain Her mercy, Her grace.
  4. Śrī Kṛṣṇa—He is SarvaŚaktimān. He is the source of all energies. He is Ātmārām; He is self-satisfied; He is aptakama—without any unfulfilled desire. Yet He decides to expand His bliss, and He does this by interacting with His potencies. Kṛṣṇa’s potencies, they are unlimited but we categorize them as primarily as three. This is the Bhāgavata understanding, — three categories of truth; three categories of Tattva. In the Bhagavad-Gītā, we are told by Śrī Kṛṣṇa to approach a Guru. He says we should approach this teacher with humility and we should render service. He also describes the quality of such a Guru that we should approach. This Guru should be Tattva-Darshi—one who has seen Tattva— “jṣāninas tattva-darśinaḥ” [BG 4.34]. Kṛṣṇa is telling us to approach a Spiritual Master who has seen Tattva, who has seen truth. Where to find such a Guru who has seen truth?

Śrīla Vyāsadeva is such a teacher. When Śrīla Vyāsadeva wrote the Vedas and the Purāṇas, the Mahābhārata, it was a great endeavor that he engaged in for the benefit of the people of Kali who are short-lived, and with a short attention span and a short memory. It was important to write these things down. After doing this great work, he felt depressed and couldn’t understand —why? His Guru came to visit him. He heard the strumming of the Vīṇā. He heard the chanting of the Holy Names of Rādhikā and Ramana. He understood his Gurudeva Nārada Muni had come to visit him. Nārada diagnosed Vyāsa’s condition. “You have done a great work. But you have not given one text that exclusively describes Bhakti. That’s what you must do”.

Vyāsadeva, he sat down in a meditation with his new mission from his Spiritual Master, and in that meditation he had a vision. He saw the truth, He saw Kṛṣṇa, and before Kṛṣṇa to the side and looking down in shame, he saw personified material nature. To the side then, between them he saw the living entities. Material nature, her shame was that she was bewildering these living entities causing them to forget Kṛṣṇa. On seeing this vision—these three categories of truth, Vyāsa knew what he had to do. He had to write a scripture, a text that describes the eternal relationship between living entities and Kṛṣṇa, this relationship of love. He had to describe these things so that the conditioned souls would be able to wake up from their illusion and be reminded of this eternal relationship, and so he wrote Śrīmad-Bhāgavatam. This is the most elevated, the cream of all Vedic literature; exclusively focused on devotion to Kṛṣṇa. The cure, the medicine for the people of Kali is hearing Kṛṣṇa-Kathā.

These three categories of truth that Vyāsa saw; they are explained by Śrī Caitanya Mahāprabhu as Antaraṅgā Śakti Tattva, the Bahiraṅgā Śakti Tattva and Taṭasthā Śakti Tattva that is Jīva.

  1. The Antaraṅgā Śakti Tattva means the internal potency of Kṛṣṇa;
  2. The Bahiraṅgā means the external potency of Kṛṣṇa; that is the material nature. Material nature has three categories— goodness, passion and ignorance. They are personified by the Deities Lakṣmī, Sarasvatī and Durgā. Their masters are Viṣṇu, Brahmā and Maheśa.

It also has three divisions or categories. They are Sandhinī, Samvit and Āhlādinī.

  1. The Sandhinī Śakti—that is the principle of eternity which is the stuff which the spiritual world made of. It is personified by Baladeva. Baladeva expands as the Holy Dhām. He expands as Kṛṣṇa‘s paraphernalia.
  2. The Samvit Śakti—that is the cognizance potency that makes this—everything in the spiritual world conscious or aware.
  3. The Āhlādinī Śakti—that is the bliss potency of Kṛṣṇa. It is personified as Śrīmatī Rādhārāṇī. She expands Kṛṣṇa‘s bliss, with so many loving pastimes and for us She is like as the mother of devotion.

When Kṛṣṇa enters into any other Dhām, then Baladeva and Śrī Rādhā also expands with Him. In Dvārakā­, Baladeva is present as Saṅkarṣaṇa and Rādhā as so many queens—16,108 queens they are all expansions of Śrī Rādhā. In VaikuṇṭhaBalarāma expands as the throne—the Anantaśeṣa that Nārāyaṇa sits upon, and Śrī Rādhā expands as so many Lakṣmīs. When Kṛṣṇa appears in this world as so many incarnations/Avatāras, Baladeva is also always present as His paraphernalia and Lakṣmī, She always expands with Him as His consort. In the pastimes of Śrī Rāma, then Baladeva and Rādhā, they are present as Lakṣmaṇa and Sītā.

For the souls that wish to become free from their conditioned nature, they must do so taking shelter of ĀdiGuru—Lord Balarāma, who comes, who is manifest on earth as the Dīkṣā Guru. As we become more mature in our spiritual understanding, then we take shelter of Śrī Rādhā as our Śikṣā, represented by the Śikṣā Guru. Dīkṣā Guru & Śikṣā Guru, they might be the same person or they might be different persons.

Five thousand years ago, that same Rādhā appeared here in Vraja Dhām, whether in Rāvala or Barṣāṇā. There are different views. The understanding of the Gauḍīya Vaiṣṇavas is that She appeared in this most recent pastime in Rāvala, and in previous pastime she appeared here in Varṣāṇā. In Varṣāṇā, She performed Her childhood and youthful pastimes, that gave perfection to Kṛṣṇa’s own childhood and youthful pastimes. How?      

To understand this, we must understand little bit more about Śrī Rādhā’s supreme position. Śrīla Rūpa Gosvāmī, in his Upadesāmṛta (NOI), he tells us that:

karmibhyaḥ parito hareḥ priyatayā vyaktiṁ yayur jṣāninas

tebhyo jñāna-vimukta-Bhakti-paramāḥ premaika-niṣṭhās tataḥ

tebhyas tāḥ paśu-pāla-paṅkaja-dṛśas tābhyo ‘pi sā rādhikā

preṣṭhā tadvad iyaṁ tadīya-sarasī tāṁ nāśrayet kaḥ kṛtī

He says, out of many millions of unlimited living entities, most are just interested in fruitive work, they are just interested in sense gratification. Amongst them, some maybe interested in piety and so they follow the Vedic prescriptions for pious work to get pious rewards. Amongst them, few will be actually interested in spiritual understanding, becoming liberated from the cycle of birth and death, Rūpa Gosvāmī refers to those as—Jñānīs. Amongst them few will actually take to devotional service. How rare it is! Amongst them, amongst the devotees, those who have taken devotional service—Rūpa Gosvāmī says the best are the Vrajavāsīs, because they love Kṛṣṇa not because He is God, they loved Kṛṣṇa because He is Kṛṣṇa—because He is the most wonderful of all-attractive personality, and they will give everything for Him. Rūpa Gosvāmī says amongst the Vrajavāsīs then the Gopīs, their love for Kṛṣṇa is the most intense. Amongst those thousands of Gopīs, Rūpa Gosvāmī says Śrī Rādhā stands supreme.

Śrīla Prabhupāda explains in his commentary on this verse that the Mādhurya Rasa of the Gopīs is most pleasing to Kṛṣṇa. It is the most intense expression of love for Kṛṣṇa. He compares it to earth as an element which contains the qualities of other more subtle elements. Ether contains the quality of sound, air contains the additional quality of touch; if you blow some air over your face, you will be able to feel that. Some of you are already doing that because it is a little bit hot. We can feel the air. Fire contains the additional quality of sight. Water contains the additional quality of taste; in the GītāKṛṣṇa says, “raso’ham apsu kaunteya…” [BG 7.8] I am the taste of water. Finally earth, it contains the additional quality of—all of them? Yeah, but it has one unique special quality—smell—aroma.

In the same way, Prabhupāda explains, “Mādhurya Rasa, it contains the qualities of love found in other Rasas. That love that is there in Dāsya Rasa or servitorship, that love that is there in Vātsalya Rasa, or parental affection, or Sākhya Rasa—friendship; it is all contained within this relationship of Mādhurya Rasa or conjugal affection. Therefore Rūpa Gosvāmī’s statement is that of all the Vrajavāsīs the love of the Gopīs is most intense and pleasing to Kṛṣṇa.

But we can further analyze this. Within Mādhurya Rasa there are two categories. There is Svakiya and Parakīya.

  • Svakiya means married love, and
  • Parakīya means unwedded love. The affection in Parakīya Rasa or unwedded love is more intense than in Svakiya. Because there is more uncertainty, there is more risk, greater sacrifice is made and the uncertainty makes it very exciting. People watch sports,—there is great excitement seeing two teams competing against each other. The excitement is that you don’t know which way it will go.

In Kṛṣṇa’s pastimes with the Gopīs, it is always uncertain, “Will they meet or not? Will Kṛṣṇa be able to enter Rādhā’s house or will He spend the night in a tree? Maybe He will make it to meet Rādhā, but She will be upset and they will not be able to have any pastimes together.” Like this there is an ongoing uncertainty.

Now this Parakīya Rasa can be further analyzed. That is, there is the mood of submissiveness, and the mood of contrariness, that is Dākṣiṇya-Bhāva: or the right wing mood, and Bāmya-Bhāva: or the left wing mood. Amongst the Gopīs there are these two main parties, two main groups:

  1. There is the right wing group of Gopīs; we will not speak the name of leader of this group in this place.
  2. Then there is the left-wing group that is headed by Śrīmatī RādhārāṇīKṛṣṇa finds the company of this left-wing group, so much more satisfying, once again because it is most uncertain. Generally whatever Kṛṣṇa wants then Rādhā and Her friends, they will say the opposite. Kṛṣṇa would say, “Come,” and they will go away. Kṛṣṇa would try to approach them and they will say, “Don’t touch us, you debauchee!” They will call Him names; makes it so much more exciting for Kṛṣṇa. Amongst these Gopīs, then Śrī Rādhā is the leader, and so Kṛṣṇa, He desires Her company more than anything else. Her love in fact makes Kṛṣṇa mad.

Okay, so we will speak some of the pastimes that are enacted between Śrī Kṛṣṇa and Śrī Rādhā in this place, where you will see Śrī Rādhā’s contrary nature expressed and how delightful that is to Kṛṣṇa. Churning the ocean of Rasa, of loving exchange! When we were coming here, we came through a narrow passage. That place is called Sāñkari-khora and we were obstructed by tax collectors; they were re-enacting Kṛṣṇa’s own pastime of collecting tax in this place. Rādhā’s resistance to Kṛṣṇa’s tax collection gave Him great delight. One of Her names is GovindaĀnandinī. GovindaĀnandinī—that is She who brings ānanda or bliss to Govinda; not only brings, She is His bliss. Another of Her names is GovindaMohinī. These are names glorified by Kṛṣṇa Dāsa Kavirāj Gosvāmī – [CC Ādi 4.82]

govinda-ānandinī rādhā, govinda-mohinī

govinda-sarvasva, sarva-kāntā-śiromaṇi

“She is the bliss of the Govinda, She has bewildered Govinda, She is His everything, She is the crest jewel of all of Kṛṣṇa‘s lovers.”

In the Sāñkari-khora we see how Rādhā brings bliss or delight to Kṛṣṇa. He establishes a toll station. As Rādhā and Her friends try to come from the palace in Varṣāṇā to the market to sell, by transporting their yogurt, butter, ghee and milk. For some reason, they choose this very difficult pass. There is actually a more direct route. But they choose this very difficult path, hoping that someone might be there and very often He is with His toll station. “Oh, you are going to sell these commodities on the market, but you must pay tax to cross this border.  I am appointed by whom?—By King Cupid”. He is demanding, “I need tax for this yogurt, I need tax for this butter, I need tax for this ghee. You are going to make a profit from them and so it’s appropriate that you pay tax at this point.

Sometimes He also wants to charge a tax for the beauty of Śrī Rādhā. Not just the products that they carry, but also She is very beautiful that should be taxed as well. [Gopīs:]“Well, what type of payment are you expecting?” [Kṛṣṇa :] “Mmmm, okay, let me calculate! Her eyes are more beautiful than millions of blue sapphires, it’s like they have stolen the beauty of the sapphires. The sapphires themselves have no beauty anymore after seeing Her eyes. So I will need a million rupees—a million sapphires for those eyes.” [Gopīs:]“Oh, what else?” [Kṛṣṇa :]“Her teeth—they have robbed the beauty of the pearls. I will need the million pearls for those teeth. And those lips, they have stolen the luster of rubies. Her luster—it has stolen the beauty of gold.” And like this, Kṛṣṇa composes a most beautiful love poem glorifying all the features, the limbs, and the aspects of Śrī Rādhā’s beauty.

Śrī Rādhā blushes with pleasure. But She pretends to be angry. “Enough of this nonsense!”, and tries to barge Her way through and there is a scuffle between them, there is some jostling, pots of yogurt get broken, that makes the Gopīs even more angry. “Now you see what you have done, troublemakers —stay away from us!” Kṛṣṇa and His friends, they decide to eat that yogurt and butter.

In this place Sāñkari-khora, the Gopīs they decided one day to get some revenge; and so early in the morning, Lalitā arrange for thousands of Gopīs to hide behind the different bushes and rocks, in caves. Later in the morning Kṛṣṇa came and set up His toll station with His cowherd friends. Then at the usual time, Śrī Rādhā and Her friends they started to travel along that pass carrying yogurt and butter and so forth. Kṛṣṇa became very excited when He heard them coming. “Oh, oh here they come again. We will have some fun.” Kṛṣṇa didn’t know that He was about to be ambushed. He was sitting in a trap. When the Gopīs approached Him and He began to harass them, Lalitā gave the signal and a thousand Gopīs came out of the mountain side and there are three, four, five Gopīs for capturing each boys, tied their hands with garlands. Took them and tied their hair to the tree branches; and with their lotus hands slapped their faces, so that their cheeks were made red, “You rascals, you nonsenses!”

Madhumañgala, his shikha was tied up to a tree branch; and he was saying, “I am a Brāhmaṇa, I would never do anything wrong. I was just very-very hungry and I happened to join the company of these Vaiśya boys. What a big mistake it was. I will never associate with them again. Just let me go”. But the main target was Kṛṣṇa; He was to be punished personally by Śrī Rādhā, Lalitā, Viśākā. They bound His hands, tied His hair to tree branch, and then they dressed Him as a girl. They put a Gopī skirt on Him, they put a blouse on Him—a veil and they balanced a pot of yogurt on His head. “Oh pretty girl, where you are going with that pot of yogurt?” Kṛṣṇa was hanging His head, and He was so embarrassed. Lalitā held His chin, “Keep your head up!” Gave Him some slaps. “Don’t look down, look at us.” They were taunting Him, “You have to pay tax for that yogurt, You have to pay tax for Your beauty. You are such a pretty girl” [Laughter] Kṛṣṇa, He was silent. “So what—you are not going to pay anything?” Lalitā she took a rock, she took very careful aim, threw it at that pot balancing on His head and it broke and Kṛṣṇa was covered in yogurt. All of the Gopīs were laughing and laughing. It was the funniest day ever; the day they got back at Kṛṣṇa and His friends.

But Madhumañgala, he was quite distressed and he was still using his being a Brāhmaṇa, as the argument for why the Gopīs should not have treated him that way.  He was warning them, “Very bad things going to happen now that you have offended a brāhmaṇa. You have to try to win back my favor.” So the Gopīs said, “Well, what do you want Madhumañgala? If we give you some Lāḍus, would you be happy? “Oh yeah, that would work”. They brought him here—at KṛṣṇaKuṇḍa. They sat him on a throne. They piled up lots of Manohara Lāḍus. And Madhumañgala ate and ate and ate until his belly became bigger and bigger such that he could not eat anymore and he was very pleased, and he blessed all of those Gopīs that they would achieve their greatest fortune.

Up from here is Mora kutir and Mora means peacocks. That is a place where there are many peacocks. All along these mountainsides are peacocks. Once Śrī Rādhā and Śrī Kṛṣṇa; They went to the top of that mountain and it was monsoon. The monsoon clouds, they were blackish, they were filled with so much water and there was lightning flashing in those dark clouds. Śrī Rādhā, Śrī Kṛṣṇa, They sat up there to watch these big beautiful clouds with a lightning streaks through them. When the monsoon clouds saw Kṛṣṇa, how beautiful He was with His darkish, blackish, bluish complexion, they felt very ashamed and the lightning saw Śrī Rādhā with Her beautiful golden complexion, it also felt very ashamed.

The clouds they cried tears of shame and turned whitish and they began to rumble thunder. When the peacocks heard the thunder rumble, they started to dance, and Rādhā and Kṛṣṇa were observing the peacocks dancing, the peahens dancing; and then they also became inspired to dance. As the peacocks saw Rādhā and Kṛṣṇa’s dance they became more inspired to dance ever new dances, which inspired Rādhā and Kṛṣṇa’s own dance. Like this, each was inspiring the other and they were performing other new dances. Today you can see a painting of that dance in that very place, painted by a blind Sādhu who was doing Bhajan at that location. Śrī Rādhā appeared in his meditation and said, “I would like you to paint this Līlā”. “Paint the Līlā? I can’t see—I am blind. How will I paint anything?” She said, “You just paint and your hand will be guided”; and so he did, even today we can see that painting—a painting of the peacock dance of Rādhā and Kṛṣṇa.

Let’s meditate on this name Govinda Sarvasva It says that Śrī Rādhā is everything to Govinda. There was a brāhmaṇa, an elderly brāhmaṇa, near to Varṣāṇā, and he heard – from the village, he heard sounds of a wedding celebration. Generally we might see a wedding or hear a wedding and we might become a little bit enlivened, “Oh! A wedding; how nice!” You might give your blessings, best wishes to the bride and the groom—to create auspiciousness for them. This brāhmaṇa started crying loudly wailing—“Oh!” He is the hearing the wedding music and crying. Kṛṣṇa asked him, “Dear brāhmaṇa, why are you crying? How can I help you?” “Oh! I am an old brāhmaṇa, I am very poor and I have a daughter that I am unable to marry because I don’t have any wealth. You can help me by giving me some wealth that I might get my daughter married”.

Well, Kṛṣṇa was in the forest, with the Gopīs, with Rādhā. He didn’t have any gold treasure with Him that He could give to that brāhmaṇa.  He was looking around. “What treasure can I give this brāhmaṇa?” and He thought, “Here is My greatest treasure—Śrī Rādhā Herself.” “Dear brāhmaṇa, I will give you My greatest treasure—It is my Pyāri Śrīmatī Rādhārāṇī”. This brāhmaṇa, he began to cry even louder. Kṛṣṇa said, “What’s the matter now?” He said, “You have doubled my troubles. I had one daughter to marry and that was a problem and now I have two daughters that have to get married. You didn’t help at all. You have just increased my distress”. Kṛṣṇa said, “I am so sorry. Dear brāhmaṇa, I will fix this”. He took a rope and threw it over the branch of a tree. He tied a stick at one end and at the other end He tied a cow’s blanket. He had Rādhā sit on that stick like a swing and on the other side in that blanket He took off His bangles; He took off His anklets and He told the Gopīs, “You take off your jewelry—whatever you have and throw it into that blanket”. When that blanket filled with gold and jeweled ornaments equal to Śrī Rādhā’s weight, then He took that blanket and He gave it to the brāhmaṇa and He said, “Here, this is Śrī Rādhā’s weight in gold. You give Her back to me. I will give you all of these jewels and gold and you will get your daughter married.” That brāhmaṇa, although he was very old, he was very enlivened, he was able to lift that blanket, go off to his village very enlivened. Many years later, he had a realization like Dhruva Mahārāja, “I was with Rādhā and Kṛṣṇa and I asked for material things,—what a fool I am”, and he completely surrendered to RādhāŚyāma.

We glorify Kṛṣṇa as the all-attractive. He has sad-aisvarya—six opulences. Well, His opulences are unlimited but six principle opulence are prominent. Our Ācāryas explain, how in fact these opulences are made complete because of Kṛṣṇa’s association with Śrīmatī Rādhārāṇī. Yes, Kṛṣṇa is beautiful, but He is most beautiful when He stands next to Śrīmatī RādhārāṇīKṛṣṇa on His own is not nearly as beautiful as when He stands with Śrī Rādhā. Yes Kṛṣṇa is famous, but He is most famous because of His pastimes with Śrī Rādhā; most famous as RādhāRamana, RādhāKānta, Rādhā-Vallabha—all these wonderful names that is His fame. Yes, Kṛṣṇa is strong, but His real strength is His ability to attract Śrīmatī Rādhārāṇī. His real wisdom is in how He resolves the dilemma that arises in Their relationships. His real renunciation is perfected in the Rasa dance where He walks away from millions of Gopīs just to be with Śrī Rādhā. She is His everything—Govinda Sarvasva.

I would like to speak about this name of Rādhā, GovindaMohinī—She who bewilders Kṛṣṇa. Her love is so great that She causes Kṛṣṇa to forget Himself. When we leave from here later today, we will go to another lake— Pili Pukur. I won’t tell you all the details of that pastime. Oh, we will wait for one week to arrive at that place. But let me tell you this much, at that place Kṛṣṇa became completely bewildered as to His own identity. He became completely bewildered by Rādhā’s Prema for Him and temporarily He assumed Rādhā’s own complexion, Her duty, and Her mood—Her Bhāvana. You will have to wait to find out how that happened; there is a cliffhanger for you. Yeah, you are going to wait in anticipation for those details. Let’s suffice to say that Kṛṣṇa became bewildered. He merged in Rādhā’s mood and complexion and He left that lake wandering through the forest of Varṣāṇā saying, “Hey Kṛṣṇa, where are you?” A golden-colored Kṛṣṇa calling out for Himself; Looking for Himself. Rādhā’s love so bewilders Kṛṣṇa. He is unable to comprehend its breadth and its depth.

That He appears in this world as Śrī Caitanya Mahāprabhu to answers three questions:

  1. What is Rādhā’s Prema—what is the nature of Rādhā’s love?
  2. What is it about Kṛṣṇa’s sweetness that attracts Rādhā?
  3. What is the bliss that She experiences in loving Him?

To answer these questions, Kṛṣṇa who is blackish in complexion, He appears in a golden form as Gaurāṅga. Internally, Kṛṣṇa—externally like Śrī Rādhā in mood and complexion and mad with love for Śrī Kṛṣṇa, He tastes the nectar of Kṛṣṇa Prema. Day and night He chants Kṛṣṇa‘s name feeling intense pangs of separation from Kṛṣṇa. That is Vipralamba Bhāva or Love in separation; and in this intense mood of loving separation from Kṛṣṇa, His experiment is to understand, get responses or answers to these questions that bewilder Him. In this, He very mercifully, very kindly distributes that very love to anyone who will take it. He is Mahāvadanyāya Avatāra—that is the most munificent incarnation. Kṛṣṇa has so many incarnations, but in this incarnation of Caitanya Mahāprabhu, He is Mahāvadanyāya, the most merciful, because He is in the mood of His own devotee —Śrī Rādhā

Generally we have to be qualified to get Kṛṣṇa’s mercy. But when Kṛṣṇa is drunk with love; He is drinking the nectar of that love, and it’s falling around Him. He is not discriminating who will taste that nectar with him. If the king decides to give away the most valuable treasures in his treasury; If the King becomes drunk and decide to give away valuable jewels from the treasury, who can stop him? When Kṛṣṇa becomes immersed in a mood of Śrīmatī Rādhārāṇī and freely gives this love, who can stop Him?

That is Śrī Caitanya Mahāprabhu, the most kind, the most merciful incarnation of Godhead; so if we want to approach Kṛṣṇa, if we want to enter His eternal pastimes in Vrajadhama, we approach Him through Caitanya Mahāprabhu, we approach Him through Śrīmatī Rādhārāṇī and Her maid-servants.

 Śrīla Rūpa Gosvāmī explains,

tan-nāma-rūpa-caritādi-sukīrtanānu-

smṛtyoḥ krameṇa rasanā-manasī niyojya

tiṣṭhan vraje tad-anurāgi-janānugāmī

kālaṁ nayed akhilam ity upadeśa-sāram

The essence of all advice is to hear Kṛṣṇa’s pastimes and glories, to chant them, to engage our mind on meditating on them, and gradually, to become immersed in this Kīrtana, Śravaṇa and Smaraṇa. But to engage in this Sādhana under the direction or under the guidance of Kṛṣṇa’s eternal devotees—that is called ‘janānugāmī ‘ –to follow in the footsteps, to follow in the mood of residents of Vṛndāvan. Anurāga—means follow in their mood. We want to approach Kṛṣṇa; so we are advised to approach Him in the mood of the residents of Vṛndāvan —as Caitanya Mahāprabhu did. We are advised to approach Kṛṣṇa for cultivating that mood of His eternal associates—always with guidance and in this process as a servant of the servant of the servant we will be able to enter; we will be granted entry.

The famous story of Lakṣmī is that She performed great penance and austerities to enter into the RasaLīlā. Kṛṣṇa appeared and asked, “What can I do for you?” “I would like to participate in your Rasa dance.” “That’s very nice, but this isn’t the process. Penance and austerity will not give you entry into the Rasa dance.” “Well, what is the process?” “The process is to follow my eternal devotees who are participating in the Rasa dance;  — to follow in their mood, to take up their service, to receive their mercy.” Lakṣmī—She is a goddess, born from the ocean of milk, so She didn’t take to this very advice and So Kṛṣṇa said you can be a golden line on my chest. But you can’t enter into my Rasa dance; so She didn’t follow that process. We are therefore advised that we must follow this process of following in the footsteps of servants of the servants of the servants of the residents of Vṛndāvan.

Caitanya Mahāprabhu prayed: Gopī-bhartuḥ pada-kamalayor dāsa-dāsānu-dāsa” – I am the servant of the servant of the servant of the lotus feet of the Gopīs of Vṛndāvan. As followers of Śrī Caitanya Mahāprabhu, we are followers of Rūpa Gosvāmī, i.e. Rūpānuga – followers of Rūpa Gosvāmī, who is Rūpa Mañjarī, the maid-servant of Śrī Rādhā. All of our Ācāryas in the line of disciplic succession, they are in the spiritual identity—they are servants maids of Rūpa Mañjarī. Thus we followers of Rūpa Gosvāmī, followers of Bhakti-Siddhānta Sarasvatī Ṭhākur, followers of Śrīla Prabhupāda, we aspire to the service of Śrīmatī Rādhārāṇī under the guidance of Rūpa Mañjarī. That is our aspiration. That is our highest objective. It is our invitation as well. The opportunity to visit Varṣāṇā, to chant here, to associate with devotees under Gurudeva’s guidance here, the opportunity to visit so many holy places in the month of Kārtik,  it is a great opportunity for all of us, who despite of our lack of qualifications, somehow or other find ourselves here by the mercy of the devotees. Somehow or other, by this special mercy, as we express our eagerness and our sincerity, then that mercy will deliver to us unto, what is apparently impossible to achieve.

By Śrīmatī Rādhārāṇī’s grace, we can be given a place in service in the spiritual world, and as a servant of the servant of Śrī Rādhā and Her associates.

Kṛṣṇa says in the Gītā that He reciprocates with everyone according to their devotion. Karmīs approach with material desires, and He gives them material rewards; Jñānīs approach desiring liberation and He gives them that. Devotees approach desiring devotion and He reciprocates. Like this according to devotion of devotee Kṛṣṇa manifests Himself. Śrīmatī Rādhārāṇī, She loves Kṛṣṇa the most and so the highest manifestation of Kṛṣṇa—that is the most loving and affectionate Kṛṣṇa is manifest only before Śrīmatī Rādhārāṇī. Can we ever hope to see that Kṛṣṇa? It is possible. We can never love Kṛṣṇa as Śrī Rādhā does with the same intensity. In principle, we would never see that Kṛṣṇa. But we can stand behind Śrī Rādhā; we can stand behind Her servant and Her servant, Her servant’s servant’s servant ; somewhere standing behind the servants of Her servant, standing behind our Spiritual Masters,—we can actually see that Kṛṣṇa. That Kṛṣṇa who takes delight in Śrī Rādhā— ‘Govinda Ānandinī’, that Kṛṣṇa for whom Śrī Rādhā is everything— ‘Govinda Sarvasva’, that Kṛṣṇa whom Śrī Rādhā has bewildered—‘GovindaMohinī’, that Kṛṣṇa we will be able to see and serve by following as a humble servant of our Spiritual Masters. Only by Śrīmatī Rādhārāṇī’s mercy!

Vṛndāvanesvari Śrīmatī Rādhārāṇī ki – Jaya!

Śrīmatī Rādhārāṇī ki – Jaya!

Śrī Varṣāṇā Dhām ki – Jaya!

Vrajendra-Nandana Kṛṣṇa ki – Jaya!

Govinda-Mohini Rādhā ki – Jaya!

Govinda-Ānandinī Rādhā ki – Jaya!

Govinda-Sarvasva Rādhā ki – Jaya!

Śrīla Prabhupāda ki – Jaya!

Nitai Gaura Premanande – HARIBOL!

Jaya-Jaya Śrī Rādhe…………………..Śyāma!

Kurukṣetra – HG Śrī Prahlāda Prabhu – Lecture; Indradyumna Swami’s Parikrama -2015

BhagavadGītā Overview

– By HG Śrī Prahlāda Prabhu

[Opening prayers…]

We are the most fortunate to be here in Kuru-Kṣetra Dhām, also called as DharmaKṣetra. The first verse of the Bhagavad-Gītā, Dhṛtarāṣṭra speaks:

dharma-kṣetre kuru-kṣetre

samavetā yuyutsavaḥ

māmakāḥ pāṇḍavāś caiva

kim akurvata sañjaya

“My dear Sañjaya, at that place of Dharma, place of spirituality, at that place of the Kurus, when my sons and the sons of Pāṇḍu assembled, what did they do?”

Prabhupāda explains in his commentary that Dhṛtarāṣṭra is afraid. He is afraid because he knows that his sons headed by Duryodhana are most sinful. They have violated the codes of Dharma in so many ways. They have stolen the kingdom of the Pāṇḍavas, they have cheated in a gambling match. They have tried to assassinate the Pāṇḍavas in so many ways; by feeding them poisonous food, trying to have them burnt alive in a palace of lak. They are most accustomed to adharma, and this battle will be fought in a place of Dharma. The opposing side, the Pāṇḍava army, is led by Yudhiṣtira Mahārāja—otherwise known as DharmarājaDhṛtarāṣṭra is afraid; this holy place it will give benefit to Dharmarāja Yudhiṣtira Mahārāja and it will act against the victory of Duryodhana and his sons.

We are here at this DharmaKṣetra. We are all trying to practice BhagavataDharma, and the influence of this place will be such that our proclivity, our ability to or inclination to practice Dharma will be further increased. Because we are all aspiring Bhaktas, we are all aspiring devotees, and so the effect of this place will be such that it will nurture our Bhakti, this DharmaKṣetra. Kṛṣṇa visited this place twice that we know, as recorded in the Śāstras. Maybe He visited more times as well, but in His pastimes 5,000 years ago we have the record of the Śāstra that He made two visits. One was for the famous Kurukṣetra war that we have been discussing, when He spoke the Bhagavad-Gītā, or we should better say, sung the Bhagavad-Gītā. That is the Song of Bhagavān.

The second time He visited with the Yadus, to bathe in these holy lakes during the solar eclipse. Whatever the chronology of these events, whether one happened before the other, I would like to discuss both in that order, Kṛṣṇa is speaking the Bhagavad-Gītā and Kṛṣṇa is coming here during the solar eclipse and meeting with Vrajavāsīs.

In both of these events, the external purpose is fighting the war or escaping the effects of an inauspicious solar eclipse. These are external reasons. The real purpose of Kṛṣṇa’s coming to this place is to engage in loving reciprocation with His devotees; to also demonstrate to us those loving relationships, as our invitation—“Would you like to join Me in these loving relationships?” That’s Kṛṣṇas invitation to all of us. In the Bhagavad-Gītā, this great song of Bhagavān, Kṛṣṇa so mercifully and kindly distills for us the essence of the Veda. There are many ways of analyzing the Bhagavad-Gītā. For today I would like to emphasize one specific point that Kṛṣṇa makes in the Bhagavad-Gītā, wherein He says:  ‘vedānta-kṛd veda-vid eva cāham’, that “Indeed, I am the knower, the compiler and the goal of the Veda.”

The Veda is very vast. It consists of thousands and thousands of verses, and they are quite abstract, difficult to understand particularly because they have quite contradictory messages, which lead to debates amongst Vedic scholars, as to the purpose, meaning and teaching of the Veda.

In the Bhagavad-Gītā, Kṛṣṇa so mercifully and beautifully, comprehensively synthesizes all of these apparent contradictory ideas; and demonstrates that they have in fact one essential teaching, one conclusion, one message that we will take from them: love of Kṛṣṇa. That’s it, so let us analyze a little how Kṛṣṇa does this.

We can divide the Vedic literature into six schools; these are the six schools of Vedic knowledge. These can further be divided into—well, summarized into pairs, so we get three divisions. We have the Nyāya and Vaiśeṣika schools of Vedic knowledge. Nyāya means logic given to us by Gautama Ṛṣi. Vaiśeṣika is a method of analysis, bringing things down to their smallest component parts, trying to understand the essence of things by distilling them to their essence, their fundamental components. Then we have Sāṅkhya and Yoga as another pair. The Sāṅkhya system of Vedic understanding describes the world in terms of interactions between Consciousness and matter, or Puruṣa and Prakṛti. The (Aṣṭāṅga) Yoga system is a mechanical system for pacifying the mind, given to us by Patañjali.

Finally, we have the Uttar and Pūrva Mīmāṁsaka Schools. The Pūrva Mīmāṁsaka school is focused on the Veda Saṁhitā, that is the Ṛg, Sāma, Yajur, and Atharva Vedas; they describe sacrifice to the Puruṣa. The Uttara Mīmāṁsaka consists of the Upaniṣadas that is focused on renunciation and meditation on Brahman. Okay, there are the six systems. Let’s now turn to the Bhagavad-Gītā and see how Kṛṣṇa harmonizes these schools into one comprehensive method or application of Vedic knowledge.

We begin with Nyāya and Vaiśeṣika, remember that Nyāya was about logic. Kṛṣṇa doesn’t give us a method of logic in the Bhagavad-Gītā by explaining, these are the different schools, these are the different fallacies, as Gautama does. But the Bhagavad-Gītā is sometimes described as a Nyāya text; because Kṛṣṇa uses a very logical approach to teach His disciple Arjuna. The objective of Nyāya is to overcome faulty thinking or faulty reasoning, and Kṛṣṇa does that. He cuts through Arjuna’s faulty thinking, faulty logic. In that sense Bhagavad-Gītā is described as a Nyāya śāstrā. Let us go to Sāṅkhya and Yoga.

Remember, Sāṅkhya is a system that describes relationship between Puruṣa and Prakṛti. The thirteenth chapter of the Bhagavad-Gītā is where we have Kṛṣṇa presenting a theistic Sāṅkhya philosophy, thirteenth, fourteenth, fifteenth chapters. Arjuna asks questions about the field—that is material nature, and the knower of the field—the living entity—who tries to enjoy the material nature.

Kṛṣṇas explanation is very much similar to teachings of Sāṅkhya. Sāṅkhya philosophy describes how material nature, Prakṛti, is activated by Consciousness and becomes dynamic. And from this, it creates what is described as Mahat-Tattva—that then interacts with the modes of material nature, so Consciousness interacting with Tamas, it creates the sense objects—earth, water, fire, air, ether. Then Consciousness interacting with the mode of goodness, it creates the knowledge acquiring senses: our eyes, our ears, our nose, our sense of tongue, touch; that is our ability to engage with the sense objects, as well as the working senses. The mind, as well, is created in this interaction of Consciousness with the Mahat and Rajas. Like this in the thirteenth chapter of the Gītā, Kṛṣṇa describes 24 material elements. But He tells us something more. He says, “ahaḿ bījapradaḥ pitā —I am the seed-giving father. It is Me who impregnates the material nature. It is Me who generates or activates this material cosmic manifestation. Everything comes from Me, everything depends on Me, like pearls are strung on a thread.” Sāṅkhya philosophy doesn’t give us that higher understanding, Kṛṣṇa gives it to us.

He also tells us about the material modes of nature in chapters 14 and 15. We get a great topography, a great system for understanding all things around us. Kṛṣṇa says, “Food can be categorized according to sattva, rajas, and tamas—goodness, passion, and ignorance. Work can be classified that way. Happiness can be classified that way. Everything can be classified according to these modes of nature. They have different results; Tamas leads to further distress, Rajas leads to a temporary happiness and then distress, Sattva leads to a sustainable happiness.” But Kṛṣṇa doesn’t want us to remain in the modes of nature. He wants us to transcend them. That’s His teaching about the modes in Bhagavad-Gītā that we can transcend the modes of nature by His grace.

daivī hy eṣā guṇamayī, mama māyā duratyayā

This material nature is difficult to overcomes, these gunas are very difficult to overcome but by My mercy, you can do it very easily.

Kṛṣṇa teaches about Yoga in the sixth chapter and eighth chapter of Bhagavad-Gītā. Patañjali’s Yoga system, it’s an eight-fold system. He has given a system to help address the issue of the ‘Citta-Nirodha’—the turnings of the mind, that is the agitated and disturbed mind. He says this can be overcome; Patañjali explains, this can be overcome through an eight-fold process. Yama, Niyama, you practice rules that are prescriptive and restrictive rules, do’s and don’ts. You should be kind, you should be compassionate, you should be forgiving, and you should be charitable. These are rules of right conduct. Niyama, the things you shouldn’t do: don’t steal, don’t lie, don’t kill, and so forth.

Patañjali next describes āsana. Generally in today’s time, people talk about āsana as practicing different Yoga poses; like Vṛkṣāsana, standing like a tree, Virāsana, like a warrior and so on and so forth. When Patañjali describes āsana, it’s about sitting in meditation and that’s how Kṛṣṇa describes āsana in the Bhagavad-Gītā; “Sit in a solitary place, with your spine straight, with your gaze at the tip of your nose.” The next stage Patañjali describes is Prānayama—to regulate the breathing. Kṛṣṇa describes that we should also regulate our breathing in this Yoga practice. Today’s science tells us that the best way to pacify the mind is with extended outward breaths. It tells the body, “You are safe.” When we are afraid, we have very quick breaths and our body knows “Oh, I am in trouble; I am in danger.” When we are feeling safe and satisfied, then our breathing extends. Patañjali teaches this system for pacifying the mind. The next stage is Dhāranā—to hold the mind, fix it. Pratyahāra—withdraw from the external environment—then you can practice Dhyāna—meditation, which will lead to Samādhi, complete absorption. Complete absorption in what? Iśvara Paridhāna, focus on Iśvara, the Supreme.

In the Bhagavad-Gītā, Kṛṣṇa teaches a similar system in the sixth chapter of the Gītā. Arjuna actually rejects it, he says “It’s too hard, Kṛṣṇa. I can’t do that. Fixing the mind in one object is very difficult.” Kṛṣṇa says, “Never mind. It’s just a technique, it’s just a method. The main thing is to think of Me, to love Me, that’s the real purpose of Yoga.”

yoginām api sarveṣāṁ

mad-gatenāntar-ātmanā

śraddhāvān bhajate yo māṁ

sa me yuktatamo mataḥ

[BG 6.47]

Of all the yogis, the best one is the one who always thinks of Me, who has faith in Me, who worships Me, that yogi is Yukta—is connected with Me in love.

That’s the real purpose of Yoga. Patañjali doesn’t teach that. But we learn it in the Bhagavad-Gītā. Let’s move to Uttara and Pūrva Mīmāṁsā, the third pair. Pūrva Mīmāṁsā relates to the Veda; the Veda SaṁhitāṚg, Sāma, Yajur, and Atharva. The Ṛg is the first of these Saṁhitās and the most famous section of the Ṛg Veda is the Puruṣasuktā. It describes the essence of the Veda, the Veda Saṁhitā’s teachings. It describes the person, the Supreme Person, Puruṣa. How is He described?

sahasra’śīrṣā puru’ṣaḥ 

sahasrākṣaḥ sahasra’pāt

sa bhūmi’ṃ viśvato’ vṛtvā

[atya’tiṣṭhaddaśāṅguḷam]

He is described as having thousands and thousands of faces, in all directions. How His faces are? How He has expanded Himself in all directions? How He has expanded as the world, as the universe? This universe is described, as different features, or aspects, of the Puruṣas form, even society.

brāhmaṇo’sya mukha’māsīt The brāhmaṇas are His face.
bāhū rā’janya’ḥ kṛtaḥ His arms, they are the kṣatriyas.
ūrū tada’sya yadvaiśya’ḥ The merchants, they are His thighs.
padbhyāgṃ śūdro a’jāyataḥ The sudras are His feet.
candramā māna’so jātaḥ Now the planets, the demigods, the moon is His mind. 
cakṣoḥ sūryo’ ajāyata His eyes, that is the Sun.
Mukhād Indra’ścāgniśca’ Indra is His mouth.
prāṇādvāyura’jāyata And Vayu is His breath

Like this, the Veda describes the universe as an expansion of Kṛṣṇa, the Puruṣa. So then what are we going to do with that information? We must engage in sacrifice to the Puruṣa. That is the teaching of the Veda. What should we sacrifice? Everything is the Puruṣa. You take the Puruṣa Himself and sacrifice the Puruṣa unto Himself. Why would you do that? Well, actually, human society will derive benefit by doing so. The demigods have rulership over the different aspects of the universe. When human society takes these resources and offers them in sacrifice, it creates a cycle of prosperity. That is the essential teaching of the Veda Saṁhitā.

In the Bhagavad-Gītā, we get to meet this Puruṣa. In Chapter 10, Kṛṣṇa starts telling Arjuna about his vibhuti—about His opulence:

 “I am the strength of the strong. Of bodies of water, I am the ocean. Of aquatics, I am the shark. Amongst people, I am the monarch, the ruler”  and so on and so forth.

When we meditate on this universe as different aspects of Kṛṣṇa, we can actually become detached. We can appreciate Kṛṣṇa in the universe and become detached from thinking of it as something we can own and possess for ourselves. Rather we feel, “Let me surrender to Kṛṣṇa.” At the end of the tenth chapter, Arjuna says, “You have told me so many wonderful things about Yourself. I would like to see that. Can I see this?” Kṛṣṇa says, “Well, you don’t really have the eyes, the divine eyes necessary to see this divine form of Mine. But I will give you that Divya-Cakṣū—I will give you these divine eyes. Behold My mystic opulence.” What Arjuna saw filled him with wonder. He saw thousands and thousands of faces spread out everywhere. Some of them were benign (means kind), and some of them were very fearful. Arjuna became very afraid. Every face that has existed in this cosmic manifestation is there in the Virat-Rūpa. If you were to look at a painting, you can see the many, many faces. If you could look with a magnifying glass, you could even see your own face there. That’s right. We are all part of this Virat-Rūpa, this universal form of the Lord.

 Arjuna saw time—past, present, and future and he became overwhelmed. He realized that Kṛṣṇa is the Puruṣa, described in the Veda. He kind of knew it before, but now that he was seeing this, he was overwhelmed with Kṛṣṇa’s majesty. He offered prayers and he offered apologies, “Kṛṣṇa, please forgive me. I called You ‘friend’. How dare me! I sat on the same bed as You, I joked with You, I called You Yādava, thinking of You as part of a lesser family as my own. Forgive me my arrogance, and accept my humble obeisances from the front, from behind, from the side, I offer You my humble obeisances.” Eventually he asked Kṛṣṇa, “Can You, please, withdraw this form? I can’t behold it any longer. I want to see Your two-handed form, Your form of sweetness.”

The Puruṣa described in the Veda is revealed in the Bhagavad-Gītā to be none other than Kṛṣṇa. What about this idea of offering sacrifices? Kṛṣṇa talks about how we can actually offer sacrifice by doing whatever we do as an offering to Him. Not necessarily that we have Yajñaśālā with ghee and wood and fire and so forth. But that we make this sacrifice consciously in our endeavor to offer all that we do to Kṛṣṇa. The Vedas also describe this ongoing battle between the Devas and the Asuras—the gods, the demigods and the demons. Demigods are responsible for the resources of the universe, they follow Dharma and protect Dharma; and the Asuras, they want to appropriate all of this for themselves, who don’t care for Dharma, but only for power.

In the sixteenth chapter of the Gītā, Kṛṣṇa describes the same conflict; but as something that takes place within us, the divine and the demoniac natures. Not that there are not Asuras and demons, but that as conditioned souls we have these two inclinations.  Which one will win? Depends on which one we nurture. We can cultivate or nurture our demoniac nature, wanting to dominate and control and possess, to be superior to all others. Or we can cultivate or nurture our divine nature—and that’s what Kṛṣṇa encourages us to do in the Bhagavad-Gītā.

 Okay, we finally come to the Uttara Mīmāṁsā. Now we are at our sixth. I explained that this is generally the teachings of the Upaniṣadas, about a focus on Brahman, renouncing the material nature, understanding the fallacy of identifying with a material body, taking to a spiritual practice, meditation. Right there in the second chapter of the Bhagavad-Gītā, Kṛṣṇa gives these very same teachings. Second chapter of the Bhagavad-Gītā, He explains to Arjuna that, “You are not the body; you are a soul transmigrating from one body to the next.” The second chapter of the Gītā in fact contains many, many verses that are verbatim from the Kathā Upaniṣada.

In chapter four, as well, Kṛṣṇa explains the significance and importance of this transcendental knowledge. As a whole, what do we have in the Bhagavad-Gītā? This incredible synthesis of the entire Vedic knowledge, but it gives us something more. Don’t forget chapters 9, 12, and 18, where the focus is Bhakti. Kṛṣṇa tells us about His loving relationships with His devotees. How He is equal to everybody, but He has special affection for His devotees.

samo ‘haṁ sarva-bhūteṣu

na me dveṣyo ‘sti na priyaḥ

[BG 9.29]

“I am equal to everyone but those devotees that surrender unto Me, they are Mine, I am always within them; they are always within Me. They will never perish, those devotees of Mine, even if they make a mistake, they are still Sādhus, because I declare it so.”

He tells us of how His devotees, they are always thinking of Him. They worship Him. They surrender everything to Him and He delivers them. He brings His devotees out of this material world to join Him in the spiritual world, where life is eternal. He brings them to a place from where they will never return to this material world again. He gives us the Veda and more in the Bhagavad-Gītā and in such a concise and consistent manner, just 700 verses in eighteen chapters. This knowledge should inspire us, that we have nothing to do but surrender to Kṛṣṇa, to love Kṛṣṇa. This knowledge of Kṛṣṇas divinity, as the source of all that is, including us, should lead us to surrender to Him.

Yet, in the Śrīmad Bhāgavatam, we are given something even deeper still. That is, we are introduced to different types of devotees: devotees who worship Kṛṣṇa and reciprocate with Kṛṣṇa in different ways. He reciprocates with devotees as Kūrma-avatar, helping them to churn the ocean of milk; as Varāha, who helps them by rescuing the earth that has fallen into the depths of the Garbhodaka Ocean; as Matsya, who helps Satyavrata to rescue and preserve the herbs and other species through the great floods of partial inundation. These relationships, they deepen in the later cantos of the Bhāgavatam.

Narasiṁha, He has much parental affection for His devotee, Prahlāda. Śrī Rāma, in the ninth canto, shows even more loving relations with His devotees, as the ideal son, ideal friend, ideal husband, disciple, king, and in the ninth and in the tenth canto of the Śrīmad Bhāgavatam, we are introduced to Kṛṣṇa. He lives in Vṛndāvana, where He interacts with devotees who don’t even know He is God, who love Him more than anything, even so. Their impetus for loving Kṛṣṇa is not knowledge of His divinity; their impetus for loving Kṛṣṇa is Kṛṣṇas own sweetness. Even when they see indications of His divinity, they still don’t get it. Sometimes when Kṛṣṇa returns from the forest to enter into the village of Gokula, and the demigods, they are gathered above in the heavens to witness this beautiful procession of Kṛṣṇa’s return from the forest with His friends. The cows, they are mooing, the boys are playing bugles and flutes, and in the center of it all is Kṛṣṇa. The boys see the demigods, and they think, “Kṛṣṇa is so incredible; He is so amazing, that look—even the demigods have come to see Him. Why wouldn’t they? He is the most handsome, He is the most expert dresser, He is the best flute player; and so despite seeing the demigods, they don’t connect the dots to understand that He is God.

When Kṛṣṇa runs away from the Gopīs, and decides to play a prank as they search for Him in the forest, by standing before them as Lord Nārāyaṇa, they come to Him and they say, “Namo Nārāyaṇa! Have you seen Kṛṣṇa; the son of Mahārāja Nanda, with a peacock feather in His hair, a yellow silken garment that He ties around His waist so expertly? He left us and came somewhere in the forest and we are looking for Him everywhere.” Hello, you are speaking to the Supreme Godhead! Their only interest is Kṛṣṇa.

When Rādhā comes before that same Nārāyaṇa, Kṛṣṇa is unable to maintain His pretense. Her love for Him is so great that He is unable to maintain those four arms. He changes back into His two-armed form of sweetness, because as His devotee looks upon Him, He reciprocates accordingly. When Kṛṣṇa left Vṛndāvana and goes to Mathurā, and finally to Dvārakā; the residents of Vṛndāvana were swept up in these pools of separation; and when they heard He was coming nearby to Kurukṣetra during the solar eclipse, they felt that they were having a second lease on their lives. They finally got to meet Kṛṣṇa. But He didn’t look like that sweet boy that they remembered from Vṛndāvana. In the place of His flute, well instead of His flute, He was holding weapons.  Instead of His cowherd’s turban with the peacock’s feather, He had a royal crown on His head. Instead of a procession of cowherd boys with their ropes and their bugles and their sticks for herding cows, He was surrounded by many soldiers, protecting armor. Their hearts were pining to be with that Kṛṣṇa from Vṛndāvana.

The Gopīs finally got to meet with Kṛṣṇa, and He gave them some advice to console them. He said, “In fact, I am the Supreme Godhead. Hence, I am present everywhere as the Puruṣa. I am the Supersoul within the hearts of all living beings, and the yogis meditate on Me, and they feel that they are always with Me. They become Ātmārām —self-satisfied in meditating on Paramātmā.”

When the Gopīs heard these words, they were becoming angrier and angrier. [Gopīs]: “What nonsense He is speaking! Is He the Supreme Personality of Godhead, the Supreme Truth? What lies He speaks! He said He would come back to Vṛndāvana, and we have been waiting for so many years! How He stole butter in His childhood? What about the time that He stole our clothes?—The Supreme Absolute truth, telling us to meditate on His feet like yogis?”

They spoke to Him, they gave their reply, “Our dear Supreme Godhead, the great Yogis, they are able to meditate on Your transcendental feet. The Jñānīs, they have this understanding of Your supreme position. We are unfortunate village girls; we do not know such things.”  When you read the text, it looks like some glorification. Our Ācāryas they tell us of the tone in which these verses, these words are spoken. They are words of sarcasm. They are making jest of this Jñāna that Kṛṣṇa is trying to teach them. [Gopīs]: “You want us to remember Your feet like Yogis; and remain satisfied? We can’t forget Your feet! We are trying to forget You! We cannot forget You! We cannot get You out of our minds. If You can teach us the technique for forgetting You, we would be more interested. All we can do is take You in our hearts and beg You; beg You, please, always stay there with us.” The Gopīs’ hearts are non-different from Vṛndāvana. They want Kṛṣṇa to come with them to Vṛndāvana.

Caitanya Mahāprabhu, He took great relish in remembering this pastime during the Ratha-Yātrā festival. He was dancing in front of Jagannātha’s chariot and He was thinking that He is taking Kṛṣṇa from Kurukṣetra to Vṛndāvana. Sometimes He would go behind Jagannātha’s chariot just to see what Jagannātha will do. Jagannātha’s chariot would become immobile. They would pull with all of their strength and the chariot would not move. The king would bring his elephants and soldiers to pull that chariot, and then Śrī Caitanya would go and start dancing in front of that chariot and then Jagannātha’s chariot would start moving again. As He sung and He danced, tears flooded from His eyes like rain. His hair on His body was standing erect and He was singing a poem. This poem caused great confusion to the people who were observing Caitanya’s dancing. It was a secular love poem, nothing from any Śāstra. It was a love poem that said, “You are the same boy; I am the same girl. These are the same moonlit nights in the month of Caitra. But My heart is not happy. Oh, how I long to return to the bank of the Revā, under the Tulasi tree.” This is the song Caitanya was singing.

People were very confused; the Sannyāsī is singing a love poem that has nothing to do with transcendence. Yeah, you might hear some song on the radio, and you like the line, you like the words and if you were singing it in the Ratha-Yātrā, people would think it’s odd. Right? It would be strange. That’s what Caitanya was doing and people were a bit confused. The next day Caitanya went to visit Haridāsa Ṭhākur. Haridāsa Ṭhākur’s Bhajan kutir had a thatched roof and as Caitanya was entering, He saw a piece of manuscript—that is a palm leaf pushed into the thatch. He pulled it out and He read it. It said, “Oh my friend, He is the same Kṛṣṇa. I am the same Rādhā. These are the same moonlit nights. Now we are here in Kurukṣetra. Oh, how I long to return to the bank of the Yamunā River. Oh how I long to be with Him there under the Kadamba trees.” When Caitanya read this, He experienced ecstasy and He asked, “Who has understood my Mind? Who has written this?” The devotees said it was Rūpa Gosvāmī. Caitanya was so pleased with Rūpa. He had Him come to sit amongst His associates, He showed them the verse, and He asked, “How is it possible that he has understood My mind?” They said, “Surely, it must be that you have empowered him to reveal the treasures of Your heart.” These very high spiritual truths of loving Kṛṣṇa, they are difficult to express in philosophical terms and so Caitanya borrowed the language of poetry; and following in His footsteps, Rūpa borrows the language of poetry to express these very intense spiritual feelings. His Bhakti-Rasāmṛta-Sindhu—borrows the aesthetics of the language of poetics to explain the science of Bhakti.

Here we are in Kurukṣetra, we are remembering Kṛṣṇa speaking the Bhagavad-Gītā, and we should pray. We need that understanding of Kṛṣṇa’s divinity. Let us pray that those teachings become manifest in our heart, that we can become attached to Kṛṣṇa and detached from the material nature. But let’s also pray simultaneously that our Bhakti not be stifled or inhibited, that our love not be inhibited at higher levels by our knowledge of Kṛṣṇa’s divinity. But that we might join the residents of Vṛndāvana who have forgotten of Kṛṣṇa’s divinity and in whose company Kṛṣṇa Himself has forgotten His own divinity and is swept up in love. We need both. We need to know of Kṛṣṇa’s divinity; we also want to be able to forget it in the right way. As followers of Śrī Caitanya Mahāprabhu we will be given both. If we pray, if we follow Śrī Caitanya Mahāprabhu and the process that He has given us—that is the invitation we have. Both invitations have been made: Kṛṣṇa has extended both invitation with His both pastimes here in Kurukṣetra; both opportunities are there for us. It’s up for us to be eager to take those opportunities. Okay, we will conclude there. Thank you very much.

Śrī Kurukṣetra dHama ki—Jaya!

Śrī Vrajendra Nandana Kṛṣṇa ki—Jaya!

Bhagavad-Gītā As It is ki—Jaya!

Śrīmad Bhāgavatam ki—Jaya!

Vṛndāvanesvari Śrīmatī Rādhārāṇī ki—Jaya!

Śrīla Prabhupāda ki—Jaya!

Nitai Gaura Premanande!—Haribol